TASCHEN Illustration Now 2014 Calendar

I received my contributor copies of TASCHEN's new 365-day tear-off desk calendar for the coming year. It features a few of my images. The illustrations of mine are taken from the Illustration Now book that was published a couple of years ago, so they're rather old images. But it's a lovely object, with some cracking artists inside.

Look out for me on Christmas Eve-Eve 2014.

Round Round

Added a touch of animation to a picture of mine.

Authors 2

A couple more authors.

Philip Pullman is often asked what form his own Daemon would take (for those who've not read His Dark Materials nor seen that weak Golden Compass film, a Daemon is effectively the physical embodiment of a person's soul, taking the form of an animal). Pullman replies that his would be a magpie or jackdaw, a bird attracted to shiny things, like the nuggets from which he weaves his stories.

This last one is Hilary Mantel. I simplified this one down more and played with the colours a bit. It's perhaps less successful, but I'm attracted to this slightly less literal route.

Boston Globe Illustration in the Flesh

I received this in the post at the weekend. I was fortunate that a friend over in the US was able to pick up a copy of The Boston Globe from a few weeks ago with my illustration inside. So here it is. Turns out the picture eventually ran in black and white (I had to provide a colour and a B&W version). I think I quite like it in monochrome.

First post of 2013, so I should also add- Happy New Year!

Illustration for SCHOTT Glass Manufacturers

An advertising illustration I did a while back for SCHOTT North America.  The illustration formed an advertisement for the company's industry-leading green tech home glass appliances. The client had a pretty clear idea of how they wanted the image to look. Ad agency Doe Anderson shot the photography, and I painted in the rest of the image.

I was told that the animals must not look too 'Disney', as the advertisement was going to be used at an event held at Disneyland.

Illustrations for 'Silentnight'

I'm finally now able to show some illustrations I've been doing on-and-off throughout the year for Silentnight beds. I was asked to produce some new images of their familiar hippo and duck mascots in various scenarios, for use in brochures and print material. I'm not sure whether there are more of these to do or not.

'The Republican Party Isn't Dead' Illustration for the Boston Globe

This illustration appeared in the Opinion section of Sunday's Boston Globe. There was a very short deadline for this one- I received the job at 5.30 in the evening and (partly due to other commitments) had to have it finished by 8.30 the next morning.

The editorial piece discusses how the Republican party will move on after Mitt Romney's defeat, their need to attract a broader demographic base, and how the 2016 election will likely see a Republican presidential candidate far younger than the Democrat.

The art director was keen to use some kind of deconstruction of the Republican's famous elephant icon. I came up with a few ideas, and we settled on this, an elephant being rebuilt from lego-style building blocks- alluding to this more youthful future.

At the time it hadn't been decided whether the illustration would run in colour or B&W, so I had to make sure it worked well in both.

A tough night, but very pleased with the outcome of this one.

The complete piece can be read (alongside the illustration) online here

'Secret London'- Serco Prize for Illustration 2012

The 2012 Association of Illustrators Serco Prize exhibition is currently on at the London Transport Museum. This year's theme was Secret London, with entries tasked with exploring hidden and lesser-known aspects of the capital's history, culture and geography. My illustration, London's Ancient Trees, can be seen there along with the other selected entries until December 10th.

Many thanks to the AOI, Serco and the LTM for putting a great show together, and a brilliant opening night. Congratulations to the winners, and look out for Finn Clark's winning design on posters throughout the tube network.

Framing

Been framing up my print for the AOI Serco Prize exhibition at the London Transport Museum, opening next month.

 

Boston Globe Sketches

Thought I'd pop up some of the sketches I did for the Boston Globe illustration I posted a couple of weeks ago.

Here's the final sketch: 

Boston Globe Illustration

Last week I was asked to produce an illustration for the Opinion pages of the Boston Globe. In the editorial, the writer reminisces about her life before and after the collapse of Lehman Brothers, where her husband was an investment banker. The story hangs around a recollected holiday afternoon in the summer of 2001. The art director was particularly keen on capturing the evocative atmosphere of the piece.

The editorial, by Judy Abel, can be read online, but is subscribers only. It's a great piece though!

The illustration ran pretty large- it was printed at about 10 inches high, I believe, which is very cool. I'll try to post up some of my sketches for this too.

Thanks for looking!

Jurassic Park

I've been reading Jurassic Park, having picked up this pre-Spielberg paperback in Oxfam. I recall hearing stories about the novel's nasty happenings as a Jurassic Park-obsessed 6 or 7 year-old when the film came out. It's taken me a decade and a half or so to actually come to read it myself. 


The dramatic cover was painted by John Brettoner. After many years as an airbrush-wielding illustrator, he now runs fruitman.com, a stock library site specialising in photographs of fruit.


Having read my way to the two-thirds point, I'd actually say that the novel is far less convincing than the film, though many seem to disagree.

Plants

Another gouache sketch. Plants on the bathroom window sill.

Park Sketches

Springtime gouache sketches, Alexandra Park. 


Been enjoying gouache for sketching outside this year. Ease of use, vibrant and quick-drying, and the opacity massively helps when working quickly. 


Trying to capture quick glimpses of places.

Serco Prize for Illustration 2012- London's Ancient Trees

My entry to the AOI's  Serco Prize for Illustration has been chosen to exhibit at the London Transport Museum again this year.

This year's theme was 'Secret London'- exploring a hidden side to the capital. My subject is the great ancient trees that populate London's parks, streets and gardens. I sought to convey the strength and grandeur of these elder residents of the city. As they grow to many hundreds of years old, each tree seems to take on a unique personality of its own. They grow to huge size, twist into bizarre forms, support ecosystems and watch patiently as the world goes on around them, tiny humans scuttling to and fro cocking things up.

At risk of sounding overtly hippyish... trees are pretty damn awesome.

The tree sketch I posted previously, drawn from life in Kensington Gardens, formed the basis of the finished image. I exaggerated and simplified the form and size of the tree, gave it a sprinkling of new buds to make sure it didn't look dead, and added a few awe-struck Londoners. Penciled, inked mostly with a brush, and Photoshopped.

It was a cracking exhibition last year and I'm greatly looking forward to the 2012 show.

Full info on the competition and the exhibiting illustrators can be found on the AOI.

Ancient Sweet Chestnut Tree

An ancient sweet chestnut tree in Kensington Gardens.

The Woodland Trust has constructed an ambitious database mapping the UK's 'ancient' trees. Users can type in their postcode and locate the wise old statesmen in their area.

Garden Sunshine

Another sunny-day sketch.

Advent 24

Sincerely wishing everyone much merriment!

Advent 22- Scaresnow

Advent, Day 19- Fighters

Pat is watching a Chinese martial arts series this evening.